Many of the works of artist Hila Spitzer deal with the documentation and exploration of the landscape in various places, in Israel and in distant lands. After the events of Black Sabbath, Hila began to immerse herself in photographs she had collected over the years, photographs of forests and thickets from other places that are not here, out of a need to convince herself that there is another logic, a logic inherent in nature, unrelated to the touch of a human hand. A logic of growth that is so strong, much stronger than us.